March 31, 2011

GOOGLE INTRODUCES NEW SOCIAL TOOL AND SETTLES PRIVACY CHARGE

[The introduction of +1 and the F.T.C. charges highlight two of Google’s biggest challenges: heightened competition from Facebook, and near-constant criticism from privacy advocates and policy makers over its practices.]

 

By CLAIRE CAIN MILLER and TANZINA VEGA
Google is trying social networking again, even as it pays a price for earlier privacy blunders.
Google introduced its latest social tool on Wednesday, the same day it settled with the Federal Trade Commission over charges of deceptive privacy practices last year for Buzz, the social networking tool in Gmail.
Under the settlement, Google agreed to start a privacy program, permit audits for 20 years and face $16,000 fines for any future privacy misrepresentations. This is the first time the F.T.C. has charged a company with such violations and ordered it to start a privacy program, the commission said.
The new social networking tool, called +1, lets people annotate Google search results and ads so they can recommend Web pages to friends and acquaintances. It is the biggest feature yet in Google’s long-awaited social networking toolkit.
The introduction of +1 and the F.T.C. charges highlight two of Google’s biggest challenges: heightened competition from Facebook, and near-constant criticism from privacy advocates and policy makers over its practices.
As it tries to make its services more social, the company has come under intense scrutiny from people concerned about its broad access to personal information. But at the same time, it is in the unusual position of racing to catch up with a rival, as Facebook captures more of the time, information and ad views of Internet users.
Of particular concern to Google is the fact that many people now turn to Facebook with search queries, like seeking the best place to go on vacation, because they trust the advice of friends more than that of an anonymous search engine.
With +1, which began rolling out to users Wednesday, Google wants to personalize search results.
In an interview about the new tool, Matt Cutts, a principal search engineer at Google, took great pains to emphasize that the company had learned from the privacy outcry after it introduced Buzz, which let Gmail users share status updates, photos and videos.
The debut of Buzz in February 2010 unleashed a barrage of criticism from users and privacy advocates because it automatically included users’ e-mail contacts in their social network.
Mr. Cutts repeatedly stressed that anything people shared with +1 was public.
“If you wouldn’t feel comfortable telling your friends and broadcasting this to the world, then of course you don’t have to click the +1 button,” he said.
Still, some privacy advocates were wary.
“It’s ironic it’s coming out on the same day” as the F.T.C. settlement, said John M. Simpson, an advocate at Consumer Watchdog, a critic of Google. “It seems to me there are some of the same kinds of issues that happened with Buzz. The key is how transparent and open it is about what’s going to be shared and how you share it.”
The name +1 came from Internet slang that people use to indicate that they approve of what someone has said.
People logged into their Google accounts will be able to click a +1 button next to search results to publicly recommend the pages. People perusing results will see how many Google users recommended a page and see names and photographs of people they know. Google is considering whether to use the recommendations to influence the order of search results.
Google will find people that users know through Gmail and chat contacts, as well as people users follow on Google Reader or Buzz. Later it will include contacts from other social sites like Twitter and Flickr. But it will not include contacts from Facebook, because that information is not publicly shared on the Web, Mr. Cutts said. Google has been in a tussle with Facebook over sharing information between the two services.
People will also be able to recommend ads. And if someone recommends a search result that links to a hotel’s Web site and the hotel later advertises on Google, that person’s recommendation will appear with the ad.
“That’s going to be very powerful,” said Bryan Wiener, chief executive of 360i, a digital advertising agency. “A friend’s recommendation is going to have greater influence on consumer behavior than a marketer’s message.” He said it could also lower the cost of ads because Google charges less for ads that are clicked on more.
Google’s +1 is remarkably similar to Facebook’s Like button, which lets people recommend Web sites and ads to their friends.
Later, Web publishers will be able to include a +1 button on their pages, just as many include a Facebook Like button today.
But Mr. Cutts said it differed from the Facebook feature because “it’s useful right there when you’re searching but doesn’t crowd or muck up your activity stream where people might not want to see it.”
Pages saved with +1 will also be visible on Google’s profile pages, which it has been transforming to look much more like those on social networks. There, people can remove their page recommendations and decide whether to make their list public or private.
In the F.T.C. charges against Google, the commission said the company violated its own privacy policy when it used the information from users’ Gmail accounts for Buzz without obtaining their permission. The settlement prohibits Google from making any similar privacy misrepresentations, and requires Google to ask for users’ consent before changing the way any Google products share personal information.
“This is a legal order and goes further than voluntary commitment,” said Jessica Rich, the deputy director of the F.T.C.’s Bureau of Consumer Protection at a news conference.
Marc Rotenberg, executive director of the Electronic Privacy Information Center, which filed a complaint about Buzz with the F.T.C., called the settlement “the most important privacy decision they’ve issued.” He said, “Google has basically conceded that the F.T.C. will be looking over their shoulder for many years to come.”
But some analysts questioned whether the settlement reached far enough.
“There’s a concern on the part of both marketers and tech companies that the F.T.C. is going to impose these new impossible standards, but this particular decision is much more geared toward ensuring that previously established policies are adhered to rather than preventing something new,” said Melissa Parrish, an analyst at Forrester Research.
Google has apologized for the Buzz debacle before — and did again on Wednesday — but said the rules mandated by the F.T.C. would not change the way it operated.
“We don’t see this as being a significant change in how we run our business because this is the standard we hold ourselves to already,” said Jill Hazelbaker, a Google spokeswoman.
The F.T.C. said it expected the settlement to have broad consequences for the Web industry.
“We think that many of the provisions in this order are good practices that we would expect to see widely followed throughout the industry,” Ms. Rich said. “The difference is Google would be subject to civil penalties if they violated it.”
TEENAGE CARTOONIST LAMPOONS BRAZIL'S ELITE

[At Folha de Sao Paulo, or the Sao Paulo Journal, tradition holds that politicians exist to be skewered, whether they are the regional bosses in Brazil’s outback or thewildly popular former president Luiz Inacio Lula da Silva. Speaking in workable English, Joao said that since he was old enough to understand Folha’s mission, he had been driven by the hope that he, too, could lampoon the powerful from the paper’s most important perch, the editorial page.]

By Juan Forero, 

Like any Brazilian boy of 14, Joao Montanaro loves soccer and video games, graphic violence and all. But he also reads the newspaper for two hours a day and leafs though magazines at the local kiosk, his eclectic tastes running from Mad magazine to Le Monde Diplomatique. Then there’s his never-ending doodling — on loose pieces of paper, in his sketchbook and, lately, at Folha, Brazil’s biggest daily newspaper.

Much to the surprise of Brazil’s political establishment and the loyal readers of the 90-year-old broadsheet, the ninth-grader is the newest member in the paper’s stable of irreverent cartoonists. Joao Montanaro, spindly teenager, has become the editorial cartoonist known simply as Joao M., which is how he signs the cartoons appearing on Folha de Sao Paulo’s editorial page every Saturday.

“Everybody draws when he’s a kid but stops,” said Joao, who is thin and tall and still very much a kid. “But I continue, and it’s natural for me to draw.”

At Folha de Sao Paulo, or the Sao Paulo Journal, tradition holds that politicians exist to be skewered, whether they are the regional bosses in Brazil’s outback or thewildly popular former president Luiz Inacio Lula da Silva. Speaking in workable English, Joao said that since he was old enough to understand Folha’s mission, he had been driven by the hope that he, too, could lampoon the powerful from the paper’s most important perch, the editorial page.

“I make comics, cartoons, comics strip, too, and I like political cartoons,” he said on a recent day in his studio in his parents’ house. “You can joke about somebody bigger than you, and I like this.”

In a sense, Joao’s arrival on this city’s scrappy media scene is not a surprise.

Brazilian journalists say political cartooning in their country has a rich, colorful history, its golden age coming during a 21-year military dictatorship, when the ambiguity of a cartoon could get a political message past censors in a way an article could not. Brazil is now a thriving democracy, but circulation has contracted dramatically at major newspapers, even at the once-mighty Folha, which sells about 300,000 copies daily.

Folha’s editors saw an opportunity to make a splash — and perhaps appeal to younger readers — by bringing on Joao, who at 12 had begun doing illustrations for the children’s version of the newspaper, Folhinha. In May, shortly after turning 14, he joined the paper’s battery of cartoonists, with his work displayed on the editorial page.

“We had the idea of calling him to the most important place of the newspaper,” Mario Kanno, Folha’s art director, said of the editorial page, “to show that papers are not only for old people. It has things for young people.”

Joao’s father, Mario Barbosa, said he has encouraged his son since he was barely 7 or 8. Back then, Joao would climb onto his father’s lap to leaf through books, some heavy with illustrations, others offering the works of Brazil’s best-known cartoonists.

Joao said that he was too young to understand the messages but that he was hooked by the artistry.
“It was just the images, because I don’t understand the ideas,” Joao said. “So I copied the drawings to learn how to draw.”

The naturally inquisitive Joao would later delve into the works of cartoonists and illustrators far from Brazil, including Charles Schulz, creator of “Peanuts,” and the commercial illustrator Jim Flora, whose edgy work is well known among advertising professionals in New York.

But Joao said what really inspired him most was the work of Brazilian political cartoonists, particularly Arnaldo Angeli Filho, perhaps the country’s most celebrated political cartoonist. “I say, ‘Oh, my God, I want to do that, too,’ ” Joao said, recalling a book of caricatures by Angeli and others.

Working from a small studio next to the kitchen in his family’s compact home, Joao veers from strips about the complexity of modern life in Brazil to satirical one-pane drawings about the tumult in the Middle East.

He sketched one particularly well-received cartoon last year, when Lula, who was president at the time, was being criticized for the amount of time he spent campaigning for Dilma Rousseff, his former chief of staff, ahead of presidential elections. In the cartoon, Lula’s tongue — with “Dilma” written on it — sticks out of his mouth, dwarfing his body.

In another, published just days ago after the earthquake in Japan, Joao took the famous Japanese artist Katsushika Hokusai’s 19th-century print “The Great Wave of Kanagawa” and showed it tossing around houses and cars.

“For a 14-year-old,” said Kanno, the Folha art director, “it is very sophisticated.”